COUNT MICHAEL MAIER'S USE of the SYMBOLISM OF ALCHEMY* TENNEY L. DAVIS Massachusetts Institute of Technology, Cambridge, Massachusetts
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HE theory of alchemy was simple and obvious. All material objects were the result of the interaction or combination of Two Contrary First Principles. Gold, the perfect metal, was the perfect combination of the Two Prinaples, "without superfluity or defect." To prepare gold it was necessary only to procure the Two Principles, each in a state of purity, and then to bring about their combination in the proper proportion. Equally, being given a base metal which was an imperfectly adjusted combination of the Two Principles, it was needful only to adjust the proportions, to remove the superfluities and defects, to accomplish the transmutation of it into perfect gold. The ancient theory is as simple as our present theory and practice of transmutation. To procure whatever element we wish, it is now needful only to secure the proper combination of protons, electrons, and neutrons. The thing which must be done is clear enough, and it has been accomplished in a number of cases. But our powers are limited; in modern science, as in earlier alchemy, the knowledge of what must be done and the knowledge of how to do it are not always associated. From time immemorial man has apprehended and described natural objects and phenomena by means of the positive and negative qualities which they exhibit. Hot and cold are opposites, and every material object according to its nature possesses in a greater or less degree the qualities of warmth and coldness. So it is also with any other pair of opposite qualities which we may choose to mention. Every object possesses more or less of one and the other of them. Distinction between the qualities by means of which an object is apprehended and the substance of which it truly consists is difficult to make, perhaps impossible, probably profitless. At any rate, the oldest scientificdoctrine of which any evidence has survived taught that all material objects consist of combinations of Two Contrary Principles, one of them having all of the positive qualities, active, hot, dry, light, and spiritual; the other all of the
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negative qualities, passive, cold, wet, heavy, and material.' Since these Contraries were difficult to de-
FIGURE 1
Tne PREPARATION OP THE PILL OF 1-ORTAL~V ACCORD~NG TO
CH%NKUAN-WU
The Yang principle is represented by the man, by the dragon and by fire; the Yin principle by the woman, by the tiper and bv water in the formsaf clouds. rain. and hail. The tortoise a& the serpent, symbolizing the material emhodiments of the Yang and Yin principles, further represent the combination of the Two Contraries. From Chin Tan Ta Yao (Essentials of the Gold Medicine) written by Ch'fn Kuan-Wu or Shang-yaup-tzX during the reign of the Yiian Emperor WPn (1329-1332 A.D.),reproduced from the Ming edition printed during the reign of the Ming Emperor Ying Tsung. reign title Chfng T'ung (14361450).
*Slightly altered from a paper read a t Welleslev Colle=e. March 2, 1938, a t the time of the presentation of paper ib; Professor Helen J. Sleeper on "The Alchemical Fugues in Count Michael Maier's Atalnnta Fuuiens" in connection with the ~- sinpinv --~. by a choir of WeUeslev and Technolow students of certai&? the fugues rendered in50 modern notadbn by Professor Sleeper. The program of which the presentation of these two papers was scribe precisely, they were designated by names having a part was conceived and arranged by Professor Ruth Johnstin, broad connotations; they were associated with deities, whose interest in Michael Maier was resoonsible for the discoverv with the two regulating powers of the universe, one of by the WellesleY and purchase of a copy of Atalanta & i m s College Library. Professor Johnstin also persuaded Miss RobaFor a fuller discussion of this point, see J . CHEM.EDUC.. 12, than to undertake the Latin translations. 3-10 (1935). ~
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them the principle of activity, the other the principle of material acted upon; they were designated by names which are to be taken as symbols suggestive of all of the qualities which each of them possessed. Some, but not all, of the commonest traditional identifications are indicated in Table 1. The Emerald Table of Hermes Trismegistos, a sincere exposition of the primitive doctrine, both cosmogony and metaphysics, the Hermetic Table which later European alchemy adopted as its Book of Revelation, says,
intercommunicating labyrinths. The protection is so complete as to turn back all that is devilish and undesirable, and the meandering passages take good care of emergencies.'
The tortuous passages serve as reflux condensers for the return of volatile material. The Principles themselves are indicated by allegorical names. I n order that the Treatise on Fire shall not have been in vain, I shall explain here in simple language. Like the m w n lying on its back is the shape of the furnace and the pot. I n it
That which is below is as that which is above, and that which is above is as that which is below, for accomplishing the miracles of a single thing. And as all things were from one, by the meditation of one, so all things were born from this one thing, by adaptation. The father of it is the Sun, the mother of it the Moon. . . So the world was created. Hence there will he marvelous adaptations of which this is the mode.
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TABLE 1 W TWOCONTRABY PRINCIPLES Positive Negative Active Passive Osiris Isis Baal. Be1 Astarte, Astarath, Ishtar Shiva Parvati Father Mother
I Ancient
I1%& I fig
ati Alchemy--in pire
Chinese Yang j Dragon
%kle Sulfur 18th Century.. .Phlogiston
Queen Water Cold Fixed Mercury Calx
i
Tiger
For Chinese alchemy the Two Principles were Yang and Yin, Sun and Moon, Fire and Water, Dragon and Tiger, and so forth, identical with the Sulfur and Mercury Principles of the European alchemists whose words must not be taken to mean common yellow combustible brimstone and the liquid white metal which we call mercury. The Two Principles could be represented as easily by pictures as by words, and the alchemical process by which they were made to combine for the production of gold, of the pill of immortality, or of the Philosopher's Stone, has been represented repeatedly in Chinese and in European early manuscripts and later printed books by pictures which may be considered to be legitimate, and clear, representations of alchemical theory.% The earliest known treatise on alchemy, the Ts'an T'ung Ch'i of Wei Po-Yang, written about A.D. 142, describes the preparation of the pill of immortality by the heating together of the Two Principles in a closed vessel from which no vapors could escape, a t first gently and finally with a strong fire. The hermetically sealed vessel, which the later European alchemists denominated the "Philosopher's Egg" and pictured accordingly, is described by Wei Po-Yang. On the sides there is the walled enclosure, shaped like a Closed on all sides, its interior is made up of
P'eng-hu pot.
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' Concerning the essential identity of Chinese and European
alchemical theory and symbolism, see Isis, 28, 73-86 (1938).
FIGURE 2 This is a table of contraries, the entities and qualities named on the left-hand half of the page (where the tiger is pictured) being nemtive. those on the right-hand half (where the drag& i
